What is the easiest way to get your
music onto Films and TV shows?
Check out the video below to find out.
Click above for this free training and I'll spill the magic beans on:
3 "Deadly Sins" you MUST AVOID for your tracks to work on TV shows.
Structures to write music that's actually USED by TV and Film clients (and used over and over!)
The ways successful Film/TV writing MUST DIFFER from "normal" music, so your tracks stand out from the competition.
Insider tips directly from 3 award winning picture editors about what they ALWAYS LOOK FOR when choosing tracks for TV or Film.
...plus much more!
"So I sat and watched your free training. I'm in! I think you've got it bang on, Michael. The difference with your approach is that you're a musician, and it shows. The final clip is fantastic. It shows, very clearly, how to keep a piece of music "interesting"."
"Just want you to know, you offer the best, most interesting videos I have ever come across in my years of research into Production Music!"
“Your free training really nothing else but GOLD DUST! The information is priceless.”
“I thought the free training was excellent. It is obvious that you are extremely knowledgeable and have a wealth of experience.”
And just who am I?!
Composer & Music Library Owner
Hello there! I'm a TV composer, having scored multiple award winning programmes that have aired all around the world. I've also written for Music Libraries in both the UK and the USA.
In 2006 I was part of the team that set up a British Music Library that now contains tracks from over 300 international composers. We continue to successfully place these tracks on BBC, MTV, PBS, National Geographic and networks all around the world via our international sub-publishers.
I head up the screening team, where we've currently listened to over 15,000 submissions.
Are you ready to learn the formulas to make major Libraries want your tracks
and have them selected by their clients again and again?
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